Who we are.

Crafting stories
that move the
visual world.

Crafting stories
that move the
visual world.

Crafting stories
that move the
visual world.

We
Shape
With
Taste
Obsessively

DNA

DNA

  • Exploration

    You don't get the first idea. You get the fifth, after we've killed the first four. Dead ends, weird tries, one version that nobody asked for but everyone picks. That's how the right cut shows up.

  • Creativity

    Allergic to generic. If it looks like a preset or a deck someone already approved twice, it dies on day one. We pull from films, music, things that have nothing to do with your industry, and your actual brand truth. Then we rebuild something that could only be yours.

  • Fun

    Caring a lot doesn't mean being grim about it. We joke, we push back, we send references at midnight. If you want a team that treats every review like a board meeting, wrong studio. If you want people who laugh at the same things and still ship clean, keep reading.

  • Taste

    Not about stacking moodboards. Taste is what you remove. Every reference, every font, every music cue gets questioned. If it's there because it's trending, it goes. If it's there because it makes the project feel like yours and nothing else, it stays. We push those harder.

Team

Eran
Kai
Mara
Ines
Jules
Saïd
Lena
Tom
Eran
Kai
Mara
Ines
Jules
Saïd
Lena
Tom
Eran
Kai
Mara
Ines
Jules
Crew

Every project gets its own crew. Editor, colorist, motion, sound. Built around the brief, not the schedule. The names above are the actual people on the job.

Senior talent
on every project.
No exceptions.

Senior talent
on every project.
No exceptions.

Scroll the work and you'll see who did what. Credits sit where they belong.

01
/
03
Jules Okoro
Colorist
Jules Okoro portrait
Mara Voss
Lead Editor
Mara Voss portrait
[ Senior ],
Adjective
  1. 01. Not a title. Someone who's shipped enough work to know exactly where it breaks.

  2. 02. The person who makes the call when the timeline gets noisy

[ Senior ],
Adjective
  1. 01. Not a title. Someone who's shipped enough work to know exactly where it breaks.

  2. 02. The person who makes the call when the timeline gets noisy

A senior core stays on every job, first cut to final master. Same person, same inbox. We build the right specialists around them.

A senior core stays on every job, first cut to final master. Same person, same inbox. We build the right specialists around them.

Ernand Lapso portrait

Ernand Lapso

Founder & client manager

Runs the studio. First person you talk to, last one to sign off. Most projects start with him as senior core. If you've emailed the studio, you've already met him.

We've finished work
for teams who check
every frame.

We've finished work
for teams who check
every frame.

We've finished
work for teams
who check

every frame.

  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
  • EA Sports logo
  • EA Sports logo
  • NFL logo
  • EA Sports logo
  • Apple logo
  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
  • EA Sports logo
  • EA Sports logo
  • NFL logo
  • EA Sports logo
  • Apple logo
  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
  • EA Sports logo
  • EA Sports logo
  • NFL logo
  • EA Sports logo
  • Apple logo
  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
  • EA Sports logo
  • EA Sports logo
  • NFL logo
  • EA Sports logo
  • Apple logo
  • Norrøna logo
  • Google logo
  • Norrøna logo
  • Tinder logo
  • Formula Drift logo
[

Testimonials

],
Noun
  1. 01. Proof so your boss can say “yes” faster.

  2. 02. Nice emails we didn’t have to write ourselves.

Henrik Andersen

Brand Director

At Norrøna

We asked them to make us hear the mountain. They sent back a mix where we could feel the altitude. The four seconds of silence before the couloir drop is the best thing in the film.

David Chen

Senior Director of Marketing

At Acura

We asked for a launch film that didn't feel like a launch film. They shot it like a product doc from 1975 and graded it like it was already famous. The car arrives at 38 seconds and nobody notices.

James Crawford

Creative Lead

At Google

Every other attempt to visualize the model looked like a tech demo. This one felt like the model explaining itself. The audio layer was the thing we didn't know we needed.

Rachel Dunn

VP Creative

At NFL

They turned a preseason shoot into something the players shared before we did. The locker room edit made the league look at us differently. That was not in the brief.

Jordan Meyers

VP Brand Marketing

At 2K

We handed them raw gameplay capture and said make it feel like a trailer. They came back with a cut where the HUD was gone and nobody asked for it back. The engine footage is still in there. You just stop seeing it.

Ayo Mensah

Global Brand Director

At Adidas

We sent them a product launch brief and they sent back a film about a Tuesday morning on a track. It outsold every hero cut we ran that quarter. Sometimes the shoes sell better when nobody points at them.

Maya Goldstein

Global Brand Director

At Tinder

We asked for awkward. They delivered a film that makes adults feel ten years old. Every cut is exactly where the discomfort lives. That is harder than it looks.

Sarah Kwon

Creative Director

At Apple

We asked for tension without exposition. They handed back a film where the colorist is the screenwriter. Nobody on the team noticed the temperature shift on first watch. Everybody felt it.

Ryan Sage

VP of Operations

At Formula Drift

We gave them four drives of chaos and a vague deadline. They came back with something that made the drivers text us asking who cut it. That does not happen.

Hannah Ellis

VP Marketing

At A24

We asked for a trailer that hid the ending. They cut three versions where the ending isn't even implied. Somebody on the press team asked if they'd seen the film.

Marcus Lefèvre

Brand Director

At EA Sports

We've been trying to relaunch this game for six years. Every trailer looked like a trailer. They handed back a film that looked like footage someone leaked. That's what we needed.

Kiana Osei

Creative Director

At Spotify

We wanted Wrapped to feel like a music video, not an infographic. They graded the data into the film and never pointed at a number. Our own team had to watch it twice to find the metric.

[

Testimonials

],
Noun
  1. 01. Proof so your boss can say “yes” faster.

  2. 02. Nice emails we didn’t have to write ourselves.

Henrik Andersen

Brand Director

At Norrøna

We asked them to make us hear the mountain. They sent back a mix where we could feel the altitude. The four seconds of silence before the couloir drop is the best thing in the film.

David Chen

Senior Director of Marketing

At Acura

We asked for a launch film that didn't feel like a launch film. They shot it like a product doc from 1975 and graded it like it was already famous. The car arrives at 38 seconds and nobody notices.

James Crawford

Creative Lead

At Google

Every other attempt to visualize the model looked like a tech demo. This one felt like the model explaining itself. The audio layer was the thing we didn't know we needed.

Rachel Dunn

VP Creative

At NFL

They turned a preseason shoot into something the players shared before we did. The locker room edit made the league look at us differently. That was not in the brief.

Jordan Meyers

VP Brand Marketing

At 2K

We handed them raw gameplay capture and said make it feel like a trailer. They came back with a cut where the HUD was gone and nobody asked for it back. The engine footage is still in there. You just stop seeing it.

Ayo Mensah

Global Brand Director

At Adidas

We sent them a product launch brief and they sent back a film about a Tuesday morning on a track. It outsold every hero cut we ran that quarter. Sometimes the shoes sell better when nobody points at them.

Maya Goldstein

Global Brand Director

At Tinder

We asked for awkward. They delivered a film that makes adults feel ten years old. Every cut is exactly where the discomfort lives. That is harder than it looks.

Sarah Kwon

Creative Director

At Apple

We asked for tension without exposition. They handed back a film where the colorist is the screenwriter. Nobody on the team noticed the temperature shift on first watch. Everybody felt it.

Ryan Sage

VP of Operations

At Formula Drift

We gave them four drives of chaos and a vague deadline. They came back with something that made the drivers text us asking who cut it. That does not happen.

Hannah Ellis

VP Marketing

At A24

We asked for a trailer that hid the ending. They cut three versions where the ending isn't even implied. Somebody on the press team asked if they'd seen the film.

Marcus Lefèvre

Brand Director

At EA Sports

We've been trying to relaunch this game for six years. Every trailer looked like a trailer. They handed back a film that looked like footage someone leaked. That's what we needed.

Kiana Osei

Creative Director

At Spotify

We wanted Wrapped to feel like a music video, not an infographic. They graded the data into the film and never pointed at a number. Our own team had to watch it twice to find the metric.

[

Testimonials

],
Noun
  1. 01. Proof so your boss can say “yes” faster.

  2. 02. Nice emails we didn’t have to write ourselves.

Henrik Andersen

Brand Director

At Norrøna

We asked them to make us hear the mountain. They sent back a mix where we could feel the altitude. The four seconds of silence before the couloir drop is the best thing in the film.

James Crawford

Creative Lead

At Google

Every other attempt to visualize the model looked like a tech demo. This one felt like the model explaining itself. The audio layer was the thing we didn't know we needed.

Jordan Meyers

VP Brand Marketing

At 2K

We handed them raw gameplay capture and said make it feel like a trailer. They came back with a cut where the HUD was gone and nobody asked for it back. The engine footage is still in there. You just stop seeing it.

Maya Goldstein

Global Brand Director

At Tinder

We asked for awkward. They delivered a film that makes adults feel ten years old. Every cut is exactly where the discomfort lives. That is harder than it looks.

When kind words turn into metal.

The industry has taken notice. You're still reading the small text, so you probably care about the details too.

Awards

Awards

  • Ciclope

    • Best Editing, Campaign Film

    • Best Color Grading

    • Best Post-Production, Short Form

    • Gold, Craft in Post

    • Silver, Sound Design

  • AICP

    • Best Edited Film, National

    • Post-Production Excellence

    • Best Color Grade, Campaign

    • Editorial Craft, Short Form

    • Sound & Music, Integrated

  • Berlin Commercial

    • Gold, Editing

    • Silver, Post-Production Craft

    • Bronze, Color & Finish

    • Best Sound Mix

  • Shots Awards

    • Editor of the Year, Nominee

    • Best Post House, Short List

    • Craft Award, Color

    • Best Sound Design, Campaign

Give us
the brief.

[ Brief ],
Noun

A few lines that save a few weeks.

Give us
the brief.

[ Brief ],
Noun

A few lines that save a few weeks.

Give us
the brief.

[ Brief ],
Noun

A few lines that save a few weeks.

Newsletter

Not ready to brief yet.

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Newsletter

Not ready to brief yet.

That's fine. Start here instead.

Stay sharp

A weekly edit note. Short, practical, slightly rude when needed.

By subscribing, you agree to our Terms and Privacy

Newsletter

Not ready to brief yet.

That's fine. Start here instead.

Stay sharp

A weekly edit note. Short, practical, slightly rude when needed.

By subscribing, you agree to our Terms and Privacy

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